All Adrian Ludwig Richter Oil Paintings

German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.
 
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Adrian Ludwig Richter Pond in he Riesengebirge oil on canvas


Pond in he Riesengebirge
Pond in he Riesengebirge
Painting ID::  37803 		  sn02 1839 Oil on canvas 63x88cm
  sn02 1839 Oil on canvas 63x88cm

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Adrian Ludwig Richter Ave Maria oil on canvas


Ave Maria
Ave Maria
Painting ID::  40677 		  mk156 1834 Oil on canvas 85x104cm
  mk156 1834 Oil on canvas 85x104cm

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Adrian Ludwig Richter Crossing the Elbe at Aussig oil on canvas


Crossing the Elbe at Aussig
Crossing the Elbe at Aussig
Painting ID::  40682 		  mk156 1837 Oil on canvas 116.5x156.5cm
  mk156 1837 Oil on canvas 116.5x156.5cm

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Adrian Ludwig Richter The Fuschlsee with the Schafberg Mountain in the Salzkammergut oil on canvas


The Fuschlsee with the Schafberg Mountain in the Salzkammergut
The Fuschlsee with the Schafberg Mountain in the Salzkammergut
Painting ID::  43927 		  183x 240 mm
  183x 240 mm

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Adrian Ludwig Richter Bridal Procession in a Spring Landscape oil on canvas


Bridal Procession in a Spring Landscape
Bridal Procession in a Spring Landscape
Painting ID::  44010 		  1847 Oil on canvas, 93 x 150 cm
  1847 Oil on canvas, 93 x 150 cm

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     Adrian Ludwig Richter
     German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.

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