All Adrian Ludwig Richter Oil Paintings

German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.
 
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Adrian Ludwig Richter Pool in the Riesengebirge oil on canvas


Pool in the Riesengebirge
Pool in the Riesengebirge
Painting ID::  44011 		  1839 Oil on canvas, 63 x 88 cm
  1839 Oil on canvas, 63 x 88 cm

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Adrian Ludwig Richter Genoveva in the Forest Seclusion oil on canvas


Genoveva in the Forest Seclusion
Genoveva in the Forest Seclusion
Painting ID::  44014 		  1841 Oil on canvas, 117 x 101 cm
  1841 Oil on canvas, 117 x 101 cm

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Adrian Ludwig Richter The Watzman oil on canvas


The Watzman
The Watzman
Painting ID::  44023 		  c. 1824 Oil on canvas, 120 x 93 cm
  c. 1824 Oil on canvas, 120 x 93 cm

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Adrian Ludwig Richter St. Anna's church in Krupka, oil on canvas


St. Anna's church in Krupka,
St. Anna's church in Krupka,
Painting ID::  72072 		  St. Anna's church in Krupka, Czech Republic. Oil painting.
  St. Anna's church in Krupka, Czech Republic. Oil painting.

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Adrian Ludwig Richter St. Anna s church in Krupka oil on canvas


St. Anna s church in Krupka
St. Anna s church in Krupka
Painting ID::  73588 		  Date 1836(1836) Medium Öl auf Lindenholz Dimensions 55,5 x 69 cm cyf
  Date 1836(1836) Medium Öl auf Lindenholz Dimensions 55,5 x 69 cm cyf

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     Adrian Ludwig Richter
     German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.

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