All Adrian Ludwig Richter Oil Paintings

German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.
 
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Adrian Ludwig Richter Fruhlingsabend oil on canvas


Fruhlingsabend
Fruhlingsabend
Painting ID::  86788 		  Date 1844(1844) Medium Oil on canvas Dimensions 72 x 110 cm cjr
  Date 1844(1844) Medium Oil on canvas Dimensions 72 x 110 cm cjr

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Adrian Ludwig Richter Brunnen bei Ariccia oil on canvas


Brunnen bei Ariccia
Brunnen bei Ariccia
Painting ID::  89386 		  1831(1831) Medium oil on canvas cyf
  1831(1831) Medium oil on canvas cyf

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Adrian Ludwig Richter Teich im Riesengebirge oil on canvas


Teich im Riesengebirge
Teich im Riesengebirge
Painting ID::  89864 		  1839(1839) Medium oil on canvas Dimensions 63 x 88 cm cjr
  1839(1839) Medium oil on canvas Dimensions 63 x 88 cm cjr

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Adrian Ludwig Richter Der Watzmann oil on canvas


Der Watzmann
Der Watzmann
Painting ID::  91129 		  1826(1826) Medium oil on canvas Dimensions 114 x 90 cm cyf
  1826(1826) Medium oil on canvas Dimensions 114 x 90 cm cyf

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Adrian Ludwig Richter St.-Annen-Kirche zu Graupen in Bohmen oil on canvas


St.-Annen-Kirche zu Graupen in Bohmen
St.-Annen-Kirche zu Graupen in Bohmen
Painting ID::  92517 		  1836(1836) Medium oil on canvas cjr
  1836(1836) Medium oil on canvas cjr

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     Adrian Ludwig Richter
     German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.

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