All Albert Bierstadt Oil Paintings

German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
 

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Albert Bierstadt Indian Summer on the Hudson River oil on canvas


Indian Summer on the Hudson River
Indian Summer on the Hudson River
Painting ID::  85531
  1861(1861) Medium Oil on canvas cyf
  1861(1861) Medium Oil on canvas cyf

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Albert Bierstadt The Sunset at Monterey Bay, the California Coast oil on canvas


The Sunset at Monterey Bay, the California Coast
The Sunset at Monterey Bay, the California Coast
Painting ID::  85911
  Oil on canvas cjr
  Oil on canvas cjr

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Albert Bierstadt Alaskan Coastal Range oil on canvas


Alaskan Coastal Range
Alaskan Coastal Range
Painting ID::  85916
  1889(1889) Medium Oil on paper Dimensions 35.2 x 49.2 cm (13.9 x 19.4 in) cyf
  1889(1889) Medium Oil on paper Dimensions 35.2 x 49.2 cm (13.9 x 19.4 in) cyf

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Albert Bierstadt San Francisco Bay oil on canvas


San Francisco Bay
San Francisco Bay
Painting ID::  86155
  Date 1871-1873 Medium Oil on paperboard mounted on paperboard Dimensions 35 x 48.5 cm (13.8 x 19.1 in) cjr
  Date 1871-1873 Medium Oil on paperboard mounted on paperboard Dimensions 35 x 48.5 cm (13.8 x 19.1 in) cjr

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Albert Bierstadt Moat Mountain, Intervale, New Hampshire oil on canvas


Moat Mountain, Intervale, New Hampshire
Moat Mountain, Intervale, New Hampshire
Painting ID::  86200
  oil on canvas, 65.7 x 48.3 cm Date c1862 cjr
  oil on canvas, 65.7 x 48.3 cm Date c1862 cjr

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     Albert Bierstadt
     German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.

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