All Albert Pinkham Ryder Oil Paintings

1847-1917 Albert Pinkham Ryder Gallery Albert Pinkham Ryder (March 19, 1847 ?C March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist. After 1900, around the time of his father's death, Ryder's creativity fell dramatically. For the rest of his life he spent his artistic energy on occasionally re-working existing paintings, some of which lay scattered about his New York apartment. Visitors to Ryder's home were struck by his slovenly habits -- he never cleaned, and his floor was covered with trash, plates with old food, and a thick layer of dust, and he would have to clear space for visitors to stand or sit. He was shy and did not seek the company of others, but received company courteously and enjoyed telling stories or talking about his art. He gained a reputation as a loner, but he maintained social contacts, enjoyed writing letters, and continued to travel on occasion to visit friends. While Ryder's creativity fell after the turn of the century, his fame grew. Important collectors of American art sought Ryder paintings for their holdings and often lent choice examples for national art exhibitions, as Ryder himself had lost interest in actively exhibiting his work. In 1913, ten of his paintings were shown together in the historic Armory Show, an honor reflecting the admiration felt towards Ryder by modernist artists of the time. By 1915 Ryder's health deteriorated, and he died at the home of a friend who was caring for him. A memorial exhibition of his work was held in the Metropolitan Museum of Art in New York in 1918. While the works of many of Ryder's contemporaries were partly or mostly forgotten through much of the 20th century, Ryder's artistic reputation has remained largely intact owing to his unique and forward-looking style. Ryder was along with Thomas Hart Benton, David Siqueiros and Pablo Picasso an important influence on Jackson Pollock's paintings.
 

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Albert Pinkham Ryder The Sheepfold oil on canvas


The Sheepfold
The Sheepfold
Painting ID::  71194
  ca. 1870(1870) Medium Oil on canvas Dimensions 21.5 x 22.6 cm (8.46 x 8.9 in)
  ca. 1870(1870) Medium Oil on canvas Dimensions 21.5 x 22.6 cm (8.46 x 8.9 in)

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Albert Pinkham Ryder The Shepherdess oil on canvas


The Shepherdess
The Shepherdess
Painting ID::  71293
  ca. 1880(1880) Oil on panel 25.7 x 17.3 cm (10.12 x 6.81 in)
  ca. 1880(1880) Oil on panel 25.7 x 17.3 cm (10.12 x 6.81 in)

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Albert Pinkham Ryder The Waste of Waters is Their Field oil on canvas


The Waste of Waters is Their Field
The Waste of Waters is Their Field
Painting ID::  71405
  ca. 1880(1880) Oil on panel 28.8 x 30.5 cm (11.34 x 12.01 in)
  ca. 1880(1880) Oil on panel 28.8 x 30.5 cm (11.34 x 12.01 in)

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Albert Pinkham Ryder The Grazing Horse oil on canvas


The Grazing Horse
The Grazing Horse
Painting ID::  71657
  between 1872(1872) and 1878(1878) Oil on canvas 25.8 x 35.8 cm (10.16 x 14.09 in)
  between 1872(1872) and 1878(1878) Oil on canvas 25.8 x 35.8 cm (10.16 x 14.09 in)

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Albert Pinkham Ryder Summer s Fruitful Pastures oil on canvas


Summer s Fruitful Pastures
Summer s Fruitful Pastures
Painting ID::  72252
  Date between 1875(1875) and 1879(1879) Medium Oil on panel Dimensions 19.4 X 25.2 cm (7.64 X 9.92 in) cyf
  Date between 1875(1875) and 1879(1879) Medium Oil on panel Dimensions 19.4 X 25.2 cm (7.64 X 9.92 in) cyf

Height    Width


  INS/CM       Quality

X

  

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     Albert Pinkham Ryder
     1847-1917 Albert Pinkham Ryder Gallery Albert Pinkham Ryder (March 19, 1847 ?C March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist. After 1900, around the time of his father's death, Ryder's creativity fell dramatically. For the rest of his life he spent his artistic energy on occasionally re-working existing paintings, some of which lay scattered about his New York apartment. Visitors to Ryder's home were struck by his slovenly habits -- he never cleaned, and his floor was covered with trash, plates with old food, and a thick layer of dust, and he would have to clear space for visitors to stand or sit. He was shy and did not seek the company of others, but received company courteously and enjoyed telling stories or talking about his art. He gained a reputation as a loner, but he maintained social contacts, enjoyed writing letters, and continued to travel on occasion to visit friends. While Ryder's creativity fell after the turn of the century, his fame grew. Important collectors of American art sought Ryder paintings for their holdings and often lent choice examples for national art exhibitions, as Ryder himself had lost interest in actively exhibiting his work. In 1913, ten of his paintings were shown together in the historic Armory Show, an honor reflecting the admiration felt towards Ryder by modernist artists of the time. By 1915 Ryder's health deteriorated, and he died at the home of a friend who was caring for him. A memorial exhibition of his work was held in the Metropolitan Museum of Art in New York in 1918. While the works of many of Ryder's contemporaries were partly or mostly forgotten through much of the 20th century, Ryder's artistic reputation has remained largely intact owing to his unique and forward-looking style. Ryder was along with Thomas Hart Benton, David Siqueiros and Pablo Picasso an important influence on Jackson Pollock's paintings.

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