All Albrecht Altdorfer Oil Paintings

German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
 

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Albrecht Altdorfer Alexanderschlacht, Detail oil on canvas


Alexanderschlacht, Detail
Alexanderschlacht, Detail
Painting ID::  65936
  1529
  1529

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Albrecht Altdorfer Floriansfolge, Szenen zur Legende des Hl. Florian, Szene: Gefangennahme des Hl. Florian, Detail oil on canvas


Floriansfolge, Szenen zur Legende des Hl. Florian, Szene: Gefangennahme des Hl. Florian, Detail
Floriansfolge, Szenen zur Legende des Hl. Florian, Szene: Gefangennahme des Hl. Florian, Detail
Painting ID::  65970
  1516-1518 81,5 x 65,3 cm
  1516-1518 81,5 x 65,3 cm

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Albrecht Altdorfer Auferstehung Christi oil on canvas


Auferstehung Christi
Auferstehung Christi
Painting ID::  67623
  Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, Predella, Außenseite des rechten Predellenflugels, Szene: Auferstehung Christi 1518 Oil on wood 71 X 37,8 cm
  Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, Predella, Außenseite des rechten Predellenflugels, Szene: Auferstehung Christi 1518 Oil on wood 71 X 37,8 cm

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Albrecht Altdorfer Geburt Christi oil on canvas


Geburt Christi
Geburt Christi
Painting ID::  71793
  Date 1507 Dimensions 41,8 x 31,5 cm
  Date 1507 Dimensions 41,8 x 31,5 cm

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Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz oil on canvas


Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz
Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz
Painting ID::  74879
  c. 1509-1516 Oil on wood 128,5 X 94 cm cjr
  c. 1509-1516 Oil on wood 128,5 X 94 cm cjr

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     Albrecht Altdorfer
     German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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