All Albrecht Durer Oil Paintings

b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
 
       Prev  91  92  93  94  95  96  97  98  99  100   Next
  Prev Artist       Next Artist     
   
    
Albrecht Durer Harrowing of Hell oil on canvas


Harrowing of Hell
Harrowing of Hell
Painting ID::  63634 		  1512 Engraving, 117 x 73 mm Metropolitan Museum of Art, New York Sheet No. 14 of the Engraved Passion. Adam and Eve are on the left, Moses is behind them, Cerberus above. The contrast between engraved and woodcut versions is similar to that described for the Deposition. The man whose arm Christ is touching is probably St John the Baptist. This print is a new and felicitous rendering, bearing witness to D?rer's inventiveness and imagination. Eve looks charming next to the aged Adam.Artist:D?RER, Albrecht Title: Harrowing of Hell; or, Christ in Limbo (No. 14) Painted in 1501-1550 , German - - graphics : religious
  1512 Engraving, 117 x 73 mm Metropolitan Museum of Art, New York Sheet No. 14 of the Engraved Passion. Adam and Eve are on the left, Moses is behind them, Cerberus above. The contrast between engraved and woodcut versions is similar to that described for the Deposition. The man whose arm Christ is touching is probably St John the Baptist. This print is a new and felicitous rendering, bearing witness to D?rer's inventiveness and imagination. Eve looks charming next to the aged Adam.Artist:D?RER, Albrecht Title: Harrowing of Hell; or, Christ in Limbo (No. 14) Painted in 1501-1550 , German - - graphics : religious

Height    Width


  INS/CM       Quality

X

  
Albrecht Durer Self-Portrait as the Man of Sorrows oil on canvas


Self-Portrait as the Man of Sorrows
Self-Portrait as the Man of Sorrows
Painting ID::  63635 		  1522 Drawing with lead pencil on blue-green primed paper, 408 x 290 mm Kunsthalle, Bremen The drawing was destroyed in war. The Man of Sorrows is generally considered to be a self-portrait of D?rer created during his journey to the Netherlands. Semi-naked with a sunken chest and lips parted in pain, the man is gazing very naturalistically out of the picture. His crossed arms and the Instruments of the Passion such as the scourge and fasces remind us of Christ's sufferings.Artist:D?RER, Albrecht Title: Self-Portrait as the Man of Sorrows Painted in 1501-1550 , German - - graphics : portrait
  1522 Drawing with lead pencil on blue-green primed paper, 408 x 290 mm Kunsthalle, Bremen The drawing was destroyed in war. The Man of Sorrows is generally considered to be a self-portrait of D?rer created during his journey to the Netherlands. Semi-naked with a sunken chest and lips parted in pain, the man is gazing very naturalistically out of the picture. His crossed arms and the Instruments of the Passion such as the scourge and fasces remind us of Christ's sufferings.Artist:D?RER, Albrecht Title: Self-Portrait as the Man of Sorrows Painted in 1501-1550 , German - - graphics : portrait

Height    Width


  INS/CM       Quality

X

  
Albrecht Durer Winged Man oil on canvas


Winged Man
Winged Man
Painting ID::  63636 		  in Idealistic Clothing, Playing a Lute 1497 Silverpoint on dark paper, with white highlights, 268 x 195 mm Staatliche Museen, Berlin The statuesque model was also available to the artist during his work on The Apocalypse. In that series the head recurs not only in the destroying angels, but also in the apocalyptic horsemen and the angels that calm the winds.Artist:D?RER, Albrecht Title: Winged Man, in Idealistic Clothing, Playing a Lute Painted in 1501-1550 , German - - graphics : study
  in Idealistic Clothing, Playing a Lute 1497 Silverpoint on dark paper, with white highlights, 268 x 195 mm Staatliche Museen, Berlin The statuesque model was also available to the artist during his work on The Apocalypse. In that series the head recurs not only in the destroying angels, but also in the apocalyptic horsemen and the angels that calm the winds.Artist:D?RER, Albrecht Title: Winged Man, in Idealistic Clothing, Playing a Lute Painted in 1501-1550 , German - - graphics : study

Height    Width


  INS/CM       Quality

X

  
Albrecht Durer Resurrection oil on canvas


Resurrection
Resurrection
Painting ID::  63637 		  1512 Engraving, 119 x 75 mm Metropolitan Museum of Art, New York Sheet No. 15 of the Engraved Passion. Christ is seen holding the Flag of Peace in his left hand. In both the woodcut versions and in the Engraved Passion Christ is shown in a triumphant stance, Italianate in manner, and contrasted with the sleeping guards. In this instance Christ is standing on his sarcophagus, while in the Large Woodcut Passion he is shown suspended in the air above it.Artist:D?RER, Albrecht Title: Resurrection (No. 15) Painted in 1501-1550 , German - - graphics : religious
  1512 Engraving, 119 x 75 mm Metropolitan Museum of Art, New York Sheet No. 15 of the Engraved Passion. Christ is seen holding the Flag of Peace in his left hand. In both the woodcut versions and in the Engraved Passion Christ is shown in a triumphant stance, Italianate in manner, and contrasted with the sleeping guards. In this instance Christ is standing on his sarcophagus, while in the Large Woodcut Passion he is shown suspended in the air above it.Artist:D?RER, Albrecht Title: Resurrection (No. 15) Painted in 1501-1550 , German - - graphics : religious

Height    Width


  INS/CM       Quality

X

  
Albrecht Durer St Peter and St John Healing the Cripple oil on canvas


St Peter and St John Healing the Cripple
St Peter and St John Healing the Cripple
Painting ID::  63638 		  1513 Engraving, 118 x 74 mm Metropolitan Museum of Art, New York Sheet No. 16 of the Engraved Passion. This engraving, considered as the last sheet of the Engraved Passion, is, in fact, outside the scope of a Passion series. D?rer cannot possibly have intended it as the final sheet. It may therefore be presumed that he planned to add further subjects which were never completed. It has been left out of most of the old bound copies of the Engraved Passion, and may have been intended as the first sheet of a projected series of the Apostles. The contrast of the statuesque greatness of the Apostle and the merciless condition of the cripple is notable. This engraving is perhaps derived from Masaccio's fresco The Tribute Money in the Brancacci Chapel in Florence. St Peter is based on a drawing for the Heller Altarpiece; the man on the far left is inspired by a medal of John Paleologus. The ailment of the cripple has been identified as leprosy.Artist:D?RER, Albrecht Title: St Peter and St John Healing the Cripple (No. 16) Painted in 1501-1550 , German - - graphics : religious
  1513 Engraving, 118 x 74 mm Metropolitan Museum of Art, New York Sheet No. 16 of the Engraved Passion. This engraving, considered as the last sheet of the Engraved Passion, is, in fact, outside the scope of a Passion series. D?rer cannot possibly have intended it as the final sheet. It may therefore be presumed that he planned to add further subjects which were never completed. It has been left out of most of the old bound copies of the Engraved Passion, and may have been intended as the first sheet of a projected series of the Apostles. The contrast of the statuesque greatness of the Apostle and the merciless condition of the cripple is notable. This engraving is perhaps derived from Masaccio's fresco The Tribute Money in the Brancacci Chapel in Florence. St Peter is based on a drawing for the Heller Altarpiece; the man on the far left is inspired by a medal of John Paleologus. The ailment of the cripple has been identified as leprosy.Artist:D?RER, Albrecht Title: St Peter and St John Healing the Cripple (No. 16) Painted in 1501-1550 , German - - graphics : religious

Height    Width


  INS/CM       Quality

X

  
       Prev  91  92  93  94  95  96  97  98  99  100   Next
Prev Artist       Next Artist     
     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

ARTIST:  ABCDEFGHIJKLMNOPQRSTUVWXYZ
Art Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings