All Alma-Tadema, Sir Lawrence Oil Paintings

b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.
 
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Alma-Tadema, Sir Lawrence Self-Portraits of Lawrence Alma-Tadema and Laura Theresa Epps (mk23) oil on canvas


Self-Portraits of Lawrence Alma-Tadema and Laura Theresa Epps (mk23)
Self-Portraits of Lawrence Alma-Tadema and Laura Theresa Epps (mk23)
Painting ID::  22916 		  1871 Oil on wood,27.5 x 37.5 cm(10 7/8 x 14 3/4 in) Fries Museum,Leeuwarden
  1871 Oil on wood,27.5 x 37.5 cm(10 7/8 x 14 3/4 in) Fries Museum,Leeuwarden

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  INS/CM       Quality

X

  
Alma-Tadema, Sir Lawrence A Roman Emperor AD 41 (mk23) oil on canvas


A Roman Emperor AD 41 (mk23)
A Roman Emperor AD 41 (mk23)
Painting ID::  22917 		  1872 Oil on canvas,83.8 x 174.2 cm(33 x 68 5/8 in) Walters Art Gallery,Baltimore
  1872 Oil on canvas,83.8 x 174.2 cm(33 x 68 5/8 in) Walters Art Gallery,Baltimore

Height    Width


  INS/CM       Quality

X

  
Alma-Tadema, Sir Lawrence An Egyptian widow in the Time of Diocletian (mk23) oil on canvas


An Egyptian widow in the Time of Diocletian (mk23)
An Egyptian widow in the Time of Diocletian (mk23)
Painting ID::  22918 		  1872 Oil on wood,74.9 x 99.1 cm(29 1/2 x 39 in) Rijksmuseum,Amsterdam
  1872 Oil on wood,74.9 x 99.1 cm(29 1/2 x 39 in) Rijksmuseum,Amsterdam

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  INS/CM       Quality

X

  
Alma-Tadema, Sir Lawrence The Death of the First-Born (mk23) oil on canvas


The Death of the First-Born (mk23)
The Death of the First-Born (mk23)
Painting ID::  22919 		  1872 Oil on canvas,79.9 x 124.5 cm(31 1/2 x 49 in) Rijksmuseum,Amsterdam
  1872 Oil on canvas,79.9 x 124.5 cm(31 1/2 x 49 in) Rijksmuseum,Amsterdam

Height    Width


  INS/CM       Quality

X

  
Alma-Tadema, Sir Lawrence Joseph,Overseer of Pharaoh's Granaries (mk23) oil on canvas


Joseph,Overseer of Pharaoh's Granaries (mk23)
Joseph,Overseer of Pharaoh's Granaries (mk23)
Painting ID::  22920 		  1874 Oil on canvas,33 x 43.1 cm(13 x 17 in) Private collection
  1874 Oil on canvas,33 x 43.1 cm(13 x 17 in) Private collection

Height    Width


  INS/CM       Quality

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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