All Alma-Tadema, Sir Lawrence Oil Paintings

b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.
 
       Prev  14  15  16  17  18  19  20  21  22  23   Next
  Prev Artist       Next Artist     
   
    
Alma-Tadema, Sir Lawrence Faun and Bacchant (mk23) oil on canvas


Faun and Bacchant (mk23)
Faun and Bacchant (mk23)
Painting ID::  22975 		  Roman Wall Painting from the House of the Dioscuri Pompeii,1st century AD Archaeological Museum,Naples
  Roman Wall Painting from the House of the Dioscuri Pompeii,1st century AD Archaeological Museum,Naples

Height    Width


  INS/CM       Quality

X

  
Alma-Tadema, Sir Lawrence Faun and Bacchant (mk23) oil on canvas


Faun and Bacchant (mk23)
Faun and Bacchant (mk23)
Painting ID::  22976 		  Roman Wall Painting from the House of the Dioscuri,Pompeii,1st century AD Archaeological Museum,Naples
  Roman Wall Painting from the House of the Dioscuri,Pompeii,1st century AD Archaeological Museum,Naples

Height    Width


  INS/CM       Quality

X

  
Alma-Tadema, Sir Lawrence The Coliseum (mk23) oil on canvas


The Coliseum (mk23)
The Coliseum (mk23)
Painting ID::  22977 		  1896 Oil on wood 112 x 73.6 cm(44 1/8 x 29 in) Private collection
  1896 Oil on wood 112 x 73.6 cm(44 1/8 x 29 in) Private collection

Height    Width


  INS/CM       Quality

X

  
Alma-Tadema, Sir Lawrence Simeon Solomon (mk23) oil on canvas


Simeon Solomon (mk23)
Simeon Solomon (mk23)
Painting ID::  22978 		  Habet 1865 Oil on canvas,122 x 101.5 cm(48 x 40 in) Private collection
  Habet 1865 Oil on canvas,122 x 101.5 cm(48 x 40 in) Private collection

Height    Width


  INS/CM       Quality

X

  
Alma-Tadema, Sir Lawrence Love's Jewelled Fetter (mk23) oil on canvas


Love's Jewelled Fetter (mk23)
Love's Jewelled Fetter (mk23)
Painting ID::  22979 		  1895 Oil on canvas.63.5 x 46.1 cm(25 x 18 1/8 in) Private collection
  1895 Oil on canvas.63.5 x 46.1 cm(25 x 18 1/8 in) Private collection

Height    Width


  INS/CM       Quality

X

  
       Prev  14  15  16  17  18  19  20  21  22  23   Next
Prev Artist       Next Artist     
     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

ARTIST:  ABCDEFGHIJKLMNOPQRSTUVWXYZ
Art Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings