All Alma-Tadema, Sir Lawrence Oil Paintings

b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.
 

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Alma-Tadema, Sir Lawrence Portrait of Ignacy Jan Paderewski (mk23) oil on canvas


Portrait of Ignacy Jan Paderewski (mk23)
Portrait of Ignacy Jan Paderewski (mk23)
Painting ID::  22965
  1891 Oil on canvas 45.7 x 58.4 cm(18 x 23 in) National Museum,Warsaw
  1891 Oil on canvas 45.7 x 58.4 cm(18 x 23 in) National Museum,Warsaw

Height    Width


  INS/CM       Quality

X

  

Alma-Tadema, Sir Lawrence The Women of Amphissa (mk23) oil on canvas


The Women of Amphissa (mk23)
The Women of Amphissa (mk23)
Painting ID::  22966
  1887 Oil on canvas,121.8 x 182.8 cm(48 x 72 in) Sterling and Francine Clark Institute,Williamstown MA
  1887 Oil on canvas,121.8 x 182.8 cm(48 x 72 in) Sterling and Francine Clark Institute,Williamstown MA

Height    Width


  INS/CM       Quality

X

  

Alma-Tadema, Sir Lawrence The Roses of Heliogabalus (mk23) oil on canvas


The Roses of Heliogabalus (mk23)
The Roses of Heliogabalus (mk23)
Painting ID::  22967
  1888 Oil on canvas,132.1 x 213.9 cm(52 x 84 1/4 in) Private collection
  1888 Oil on canvas,132.1 x 213.9 cm(52 x 84 1/4 in) Private collection

Height    Width


  INS/CM       Quality

X

  

Alma-Tadema, Sir Lawrence In a Rose Garden (mk23) oil on canvas


In a Rose Garden (mk23)
In a Rose Garden (mk23)
Painting ID::  22968
  1889 Oil on canvas,37.5 x 49.5 cm(14 3/4 x 19 1/2in) Private collection
  1889 Oil on canvas,37.5 x 49.5 cm(14 3/4 x 19 1/2in) Private collection

Height    Width


  INS/CM       Quality

X

  

Alma-Tadema, Sir Lawrence The Kiss (mk23) oil on canvas


The Kiss (mk23)
The Kiss (mk23)
Painting ID::  22969
  1891 Oil on wood 45.7 62.7 cm(18 x 24 5/8 in) Private collection
  1891 Oil on wood 45.7 62.7 cm(18 x 24 5/8 in) Private collection

Height    Width


  INS/CM       Quality

X

  

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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