All Ambrogio Lorenzetti Oil Paintings

Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.
 

       Prev  1  2  3  4  5  6  7  8  9  10   Next
  Prev Artist       Next Artist     

   
    

Ambrogio Lorenzetti Allegory of Good Government oil on canvas


Allegory of Good Government
Allegory of Good Government
Painting ID::  2579
  c1338/40 Palazzo Publico, Siena
  c1338/40 Palazzo Publico, Siena

Height    Width


  INS/CM       Quality

X

  

Ambrogio Lorenzetti Nursing Madonna oil on canvas


Nursing Madonna
Nursing Madonna
Painting ID::  19207
  1320-30, tempera on wood, Pontifico Seminario Regionale, Siena
  1320-30, tempera on wood, Pontifico Seminario Regionale, Siena

Height    Width


  INS/CM       Quality

X

  

Ambrogio Lorenzetti Madonna and Child Enthroned with Angels and Saints oil on canvas


Madonna and Child Enthroned with Angels and Saints
Madonna and Child Enthroned with Angels and Saints
Painting ID::  19208
  1340, tempera on wood, Pinacoteca Nazionale, Siena.
  1340, tempera on wood, Pinacoteca Nazionale, Siena.

Height    Width


  INS/CM       Quality

X

  

Ambrogio Lorenzetti Annunciation oil on canvas


Annunciation
Annunciation
Painting ID::  19209
  1344, Pinacoteca Nazionale, Siena
  1344, Pinacoteca Nazionale, Siena

Height    Width


  INS/CM       Quality

X

  

Ambrogio Lorenzetti the charity of  Nicholas of Bari (mk05) oil on canvas


the charity of Nicholas of Bari (mk05)
the charity of Nicholas of Bari (mk05)
Painting ID::  19975
  Wood,12 x 8 1/4''(30 x 21 cm).Given to the Louvre in 1916
  Wood,12 x 8 1/4''(30 x 21 cm).Given to the Louvre in 1916

Height    Width


  INS/CM       Quality

X

  

       Prev  1  2  3  4  5  6  7  8  9  10   Next
Prev Artist       Next Artist     

     Ambrogio Lorenzetti
     Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.

ARTISTABCDEFGHIJKLMNOPQRSTUVWXYZ
A
rt Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings