All Andrea Vaccaro Oil Paintings

Italian Baroque Era Painter, 1604-1670 He first studied literature but at an early age turned to painting. He was probably a pupil of the late-Mannerist painter Gerolamo Imparato, though there are no known works from this period. About 1620 he became a follower of Caravaggio; he copied Caravaggio's Flagellation (Naples, Capodimonte), and his copy and the original hung in S Domenico Maggiore, Naples (copy in situ). David with the Head of Goliath (Florence, Fond. Longhi) and Sebastian (Naples, Capodimonte) are early works indebted to Caravaggio's naturalism and chiaroscuro. After 1630 Vaccaro drew inspiration from Guido Reni, Anthony van Dyck and Pietro Novelli and made copies of their works for Neapolitan collectors and dealers such as Gaspar Roomer and Jan Vandeneyden.
 
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Andrea Vaccaro Penitent Mary Magdalen oil on canvas


Penitent Mary Magdalen
Penitent Mary Magdalen
Painting ID::  29226 		  mk65 Oil on canvas 40x30"
  mk65 Oil on canvas 40x30"

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Andrea Vaccaro Penitent Mary Magdalene oil on canvas


Penitent Mary Magdalene
Penitent Mary Magdalene
Painting ID::  97321 		  first half of 17th century Medium oil on canvas cyf
  first half of 17th century Medium oil on canvas cyf

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Andrea Vaccaro Assumption of the Virgin oil on canvas


Assumption of the Virgin
Assumption of the Virgin
Painting ID::  98415 		  first half of 17th century Medium oil on canvas Dimensions Height: 78 cm (30.7 in). Width: 63 cm (24.8 in).
  first half of 17th century Medium oil on canvas Dimensions Height: 78 cm (30.7 in). Width: 63 cm (24.8 in).

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Andrea Vaccaro Penitent Mary Magdalene. oil on canvas


Penitent Mary Magdalene.
Penitent Mary Magdalene.
Painting ID::  98416 		  first half of 17th century Medium oil on canvas
  first half of 17th century Medium oil on canvas

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     Andrea Vaccaro
     Italian Baroque Era Painter, 1604-1670 He first studied literature but at an early age turned to painting. He was probably a pupil of the late-Mannerist painter Gerolamo Imparato, though there are no known works from this period. About 1620 he became a follower of Caravaggio; he copied Caravaggio's Flagellation (Naples, Capodimonte), and his copy and the original hung in S Domenico Maggiore, Naples (copy in situ). David with the Head of Goliath (Florence, Fond. Longhi) and Sebastian (Naples, Capodimonte) are early works indebted to Caravaggio's naturalism and chiaroscuro. After 1630 Vaccaro drew inspiration from Guido Reni, Anthony van Dyck and Pietro Novelli and made copies of their works for Neapolitan collectors and dealers such as Gaspar Roomer and Jan Vandeneyden.

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