All Andrea del Castagno Oil Paintings

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
 
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Andrea del Castagno The Young David oil on canvas


The Young David
The Young David
Painting ID::  353 		  c1450/57 National Gallery of Art, Washington DC
  c1450/57 National Gallery of Art, Washington DC

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Andrea del Castagno Crucifixion and Saints oil on canvas


Crucifixion and Saints
Crucifixion and Saints
Painting ID::  4743 		  1440-41 Fresco Ospedale Santa Maria Nuova, Florence
  1440-41 Fresco Ospedale Santa Maria Nuova, Florence

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Andrea del Castagno St John the Baptist oil on canvas


St John the Baptist
St John the Baptist
Painting ID::  4744 		  1442 Fresco San Zaccaria, Venice
  1442 Fresco San Zaccaria, Venice

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Andrea del Castagno God the Father oil on canvas


God the Father
God the Father
Painting ID::  4745 		  1442 Fresco San Zaccaria, Venice
  1442 Fresco San Zaccaria, Venice

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Andrea del Castagno St John the Evangelist jj oil on canvas


St John the Evangelist jj
St John the Evangelist jj
Painting ID::  4746 		  1442 Fresco San Zaccaria, Venice
  1442 Fresco San Zaccaria, Venice

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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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