All Andrea del Sarto Oil Paintings

b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
 

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Andrea del Sarto Annunciation oil on canvas


Annunciation
Annunciation
Painting ID::  76519
  ca. 1528(1528) Medium Oil on wood cyf
  ca. 1528(1528) Medium Oil on wood cyf

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Andrea del Sarto Virgin and Child in Glory with Six Saints oil on canvas


Virgin and Child in Glory with Six Saints
Virgin and Child in Glory with Six Saints
Painting ID::  76630
  ca. 1528(1528) Oil on wood cjr
  ca. 1528(1528) Oil on wood cjr

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Andrea del Sarto Disputation on the Trinity oil on canvas


Disputation on the Trinity
Disputation on the Trinity
Painting ID::  76653
  1517(1517) Oil on wood 193 cm (76 in). Height: 232 cm (91.3 in). cjr
  1517(1517) Oil on wood 193 cm (76 in). Height: 232 cm (91.3 in). cjr

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Andrea del Sarto St John the Baptist oil on canvas


St John the Baptist
St John the Baptist
Painting ID::  77025
  Date ca. 1523(1523) Medium Oil on wood cyf
  Date ca. 1523(1523) Medium Oil on wood cyf

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Andrea del Sarto Selbstportrat oil on canvas


Selbstportrat
Selbstportrat
Painting ID::  77141
  Deutsch: um 1520-1530 English: c. 1520-1530 Medium Oil on panel Dimensions Deutsch: 88 x 67 cm cyf
  Deutsch: um 1520-1530 English: c. 1520-1530 Medium Oil on panel Dimensions Deutsch: 88 x 67 cm cyf

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     Andrea del Sarto
     b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

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