All Andrea del Sarto Oil Paintings

b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
 

       Prev  34  35  36  37  38  39  40  41  42  43   Next
  Prev Artist       Next Artist     

   
    

Andrea del Sarto Holy Family oil on canvas


Holy Family
Holy Family
Painting ID::  78322
  1520(1520) Oil on wood Width: 105 cm (41.3 in). Height: 129 cm (50.8 in). cjr
  1520(1520) Oil on wood Width: 105 cm (41.3 in). Height: 129 cm (50.8 in). cjr

Height    Width


  INS/CM       Quality

X

  

Andrea del Sarto Opferung Isaaks oil on canvas


Opferung Isaaks
Opferung Isaaks
Painting ID::  78397
  ca. 1527(1527) Oil on panel 213 x 159 cm cjr
  ca. 1527(1527) Oil on panel 213 x 159 cm cjr

Height    Width


  INS/CM       Quality

X

  

Andrea del Sarto Virgin and Child in Glory with Six Saints oil on canvas


Virgin and Child in Glory with Six Saints
Virgin and Child in Glory with Six Saints
Painting ID::  78509
  ca. 1528(1528) Medium Oil on wood cyf
  ca. 1528(1528) Medium Oil on wood cyf

Height    Width


  INS/CM       Quality

X

  

Andrea del Sarto Disputation on the Trinity oil on canvas


Disputation on the Trinity
Disputation on the Trinity
Painting ID::  78541
  1517(1517) Medium Oil on wood cyf
  1517(1517) Medium Oil on wood cyf

Height    Width


  INS/CM       Quality

X

  

Andrea del Sarto Portrait of the Artists Wife oil on canvas


Portrait of the Artists Wife
Portrait of the Artists Wife
Painting ID::  78693
  between 1513(1513) and 1514(1514) Medium Oil on panel cyf
  between 1513(1513) and 1514(1514) Medium Oil on panel cyf

Height    Width


  INS/CM       Quality

X

  

       Prev  34  35  36  37  38  39  40  41  42  43   Next
Prev Artist       Next Artist     

     Andrea del Sarto
     b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

ARTISTABCDEFGHIJKLMNOPQRSTUVWXYZ
A
rt Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings