All Andrea del Sarto Oil Paintings

b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
 

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Andrea del Sarto Assumption of the Virgin oil on canvas


Assumption of the Virgin
Assumption of the Virgin
Painting ID::  83973
  Date between 1526(1526) and 1529(1529) Medium Oil on wood cjr
  Date between 1526(1526) and 1529(1529) Medium Oil on wood cjr

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Andrea del Sarto St James oil on canvas


St James
St James
Painting ID::  84029
  1528(1528) and 1529(1529) Medium Oil on canvas cyf
  1528(1528) and 1529(1529) Medium Oil on canvas cyf

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Andrea del Sarto Madonna and Child with St Elisabeth, the Infant St John, and Two Angels oil on canvas


Madonna and Child with St Elisabeth, the Infant St John, and Two Angels
Madonna and Child with St Elisabeth, the Infant St John, and Two Angels
Painting ID::  84475
  Date between 1515(1515) and 1516(1516) Medium Oil on wood Dimensions Height: 141 cm (55.5 in). Width: 106 cm (41.7 in). cjr
  Date between 1515(1515) and 1516(1516) Medium Oil on wood Dimensions Height: 141 cm (55.5 in). Width: 106 cm (41.7 in). cjr

Height    Width


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Andrea del Sarto Madonna and Child with Sts Catherine, Elisabeth and John the Baptist oil on canvas


Madonna and Child with Sts Catherine, Elisabeth and John the Baptist
Madonna and Child with Sts Catherine, Elisabeth and John the Baptist
Painting ID::  84476
  Date 1519(1519) Medium Oil on canvas transferred from wood Dimensions Height: 102 cm (40.2 in). Width: 80 cm (31.5 in). cjr
  Date 1519(1519) Medium Oil on canvas transferred from wood Dimensions Height: 102 cm (40.2 in). Width: 80 cm (31.5 in). cjr

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Andrea del Sarto Maria mit Kind und Johannesknaben oil on canvas


Maria mit Kind und Johannesknaben
Maria mit Kind und Johannesknaben
Painting ID::  85898
  Öl auf Nussbaumholz Dimensions Deutsch: 54 x 46 cm cyf
  Öl auf Nussbaumholz Dimensions Deutsch: 54 x 46 cm cyf

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     Andrea del Sarto
     b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

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