All Anthony Van Dyck Oil Paintings

Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
 

       Prev  63  64  65  66  67  68  69  70   Next
  Prev Artist       Next Artist     

   
    

Anthony Van Dyck Princess Henrietta Maria of France, Queen consort of England. This is the first portrait of Henrietta Maria painted oil on canvas


Princess Henrietta Maria of France, Queen consort of England. This is the first portrait of Henrietta Maria painted
Princess Henrietta Maria of France, Queen consort of England. This is the first portrait of Henrietta Maria painted
Painting ID::  94334
  1632(1632) cjr
  1632(1632) cjr

Height    Width


  INS/CM       Quality

X

  

Anthony Van Dyck A Family Group oil on canvas


A Family Group
A Family Group
Painting ID::  94335
  1634(1634) Medium painting cjr
  1634(1634) Medium painting cjr

Height    Width


  INS/CM       Quality

X

  

Anthony Van Dyck Portrait of Sir George Digby, 2nd Earl of Bristol, English Royalist politician oil on canvas


Portrait of Sir George Digby, 2nd Earl of Bristol, English Royalist politician
Portrait of Sir George Digby, 2nd Earl of Bristol, English Royalist politician
Painting ID::  94336
  cjr
  cjr

Height    Width


  INS/CM       Quality

X

  

Anthony Van Dyck Saint Ambrose barring Theodosius I from Milan Cathedral oil on canvas


Saint Ambrose barring Theodosius I from Milan Cathedral
Saint Ambrose barring Theodosius I from Milan Cathedral
Painting ID::  95947
  between 1619(1619) and 1620(1620) Medium oil on canvas Dimensions 147 x 114 cm (57.9 x 44.9 in) cyf
  between 1619(1619) and 1620(1620) Medium oil on canvas Dimensions 147 x 114 cm (57.9 x 44.9 in) cyf

Height    Width


  INS/CM       Quality

X

  

Anthony Van Dyck Lady Elizabeth Thimbelby and her Sister oil on canvas


Lady Elizabeth Thimbelby and her Sister
Lady Elizabeth Thimbelby and her Sister
Painting ID::  96307
  circa 1637(1637) Medium oil on canvas Dimensions 132 X 150 cm cyf
  circa 1637(1637) Medium oil on canvas Dimensions 132 X 150 cm cyf

Height    Width


  INS/CM       Quality

X

  

       Prev  63  64  65  66  67  68  69  70   Next
Prev Artist       Next Artist     

     Anthony Van Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

ARTISTABCDEFGHIJKLMNOPQRSTUVWXYZ
A
rt Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings