All Anthony Van Dyck Oil Paintings

Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
 

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Anthony Van Dyck kees van dongen oil on canvas


kees van dongen
kees van dongen
Painting ID::  59104
  mk265 venice No.2 twan s down cloak c.1925-1930 new york,mugrabi collection.
  mk265 venice No.2 twan s down cloak c.1925-1930 new york,mugrabi collection.

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Anthony Van Dyck tamara de lempicka oil on canvas


tamara de lempicka
tamara de lempicka
Painting ID::  59105
  mk265 portrait of his lmperial highness grnd duke gabriel 1927.ptivate collection.
  mk265 portrait of his lmperial highness grnd duke gabriel 1927.ptivate collection.

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Anthony Van Dyck bermard boutet de monvel oil on canvas


bermard boutet de monvel
bermard boutet de monvel
Painting ID::  59106
  mk265 comte pierre de quinsonas 1913.boulogne billancourt musee des annees tretn.
  mk265 comte pierre de quinsonas 1913.boulogne billancourt musee des annees tretn.

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Anthony Van Dyck bernard boutet de monvel oil on canvas


bernard boutet de monvel
bernard boutet de monvel
Painting ID::  59107
  mk265 his royal highness the maharajah of lndore 1934 private collection.
  mk265 his royal highness the maharajah of lndore 1934 private collection.

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Anthony Van Dyck bernard boutet de monvel oil on canvas


bernard boutet de monvel
bernard boutet de monvel
Painting ID::  59118
  mk265 the duc and duchesse de brissac 1945 private collection.
  mk265 the duc and duchesse de brissac 1945 private collection.

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     Anthony Van Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

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