All Antonio Pollaiuolo Oil Paintings

1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.
 
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Antonio Pollaiuolo Apollo and Daphne oil on canvas


Apollo and Daphne
Apollo and Daphne
Painting ID::  31370 		  nn07 c1470 National Gallery, London
  nn07 c1470 National Gallery, London

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Antonio Pollaiuolo Apollo and Daphne oil on canvas


Apollo and Daphne
Apollo and Daphne
Painting ID::  42880 		  mk170 1475-1480 Oil on wood 29.5x20cm
  mk170 1475-1480 Oil on wood 29.5x20cm

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Antonio Pollaiuolo Hercules and Antaeus Time oil on canvas


Hercules and Antaeus Time
Hercules and Antaeus Time
Painting ID::  44428 		  c. 1478 Tempera on wood, 16 x 9 cm
  c. 1478 Tempera on wood, 16 x 9 cm

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Antonio Pollaiuolo Martyrdom of St Sebastian oil on canvas


Martyrdom of St Sebastian
Martyrdom of St Sebastian
Painting ID::  44429 		  1473-75 Panel, 292 x 2023 cm
  1473-75 Panel, 292 x 2023 cm

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Antonio Pollaiuolo Battle of Ten Nudes oil on canvas


Battle of Ten Nudes
Battle of Ten Nudes
Painting ID::  52338 		  1470s Engraving, 428 x 618 mm
  1470s Engraving, 428 x 618 mm

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     Antonio Pollaiuolo
     1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.

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