All Antonio Pollaiuolo Oil Paintings

1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.
 
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Antonio Pollaiuolo Portrait of a Young Woman 02 oil on canvas


Portrait of a Young Woman 02
Portrait of a Young Woman 02
Painting ID::  1585 		  1475 Galleria degli Uffizi, Florence
  1475 Galleria degli Uffizi, Florence

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Antonio Pollaiuolo Hercules and the Hydra oil on canvas


Hercules and the Hydra
Hercules and the Hydra
Painting ID::  1587 		 
 

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Antonio Pollaiuolo Apollo and Daphne oil on canvas


Apollo and Daphne
Apollo and Daphne
Painting ID::  1588 		  c1470 National Gallery, London
  c1470 National Gallery, London

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Antonio Pollaiuolo Hercules and Antaeus oil on canvas


Hercules and Antaeus
Hercules and Antaeus
Painting ID::  1589 		  1460 Galleria degli Uffizi, Florence
  1460 Galleria degli Uffizi, Florence

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Antonio Pollaiuolo Tobias and the Angel oil on canvas


Tobias and the Angel
Tobias and the Angel
Painting ID::  1590 		  1460 Galleria Sabuda, Turin
  1460 Galleria Sabuda, Turin

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     Antonio Pollaiuolo
     1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.

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