All Asher Brown Durand Oil Paintings

1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.
 

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Asher Brown Durand Study form Nature,Hoboken,new jersey oil on canvas


Study form Nature,Hoboken,new jersey
Study form Nature,Hoboken,new jersey
Painting ID::  51392
  mk218 27.9x36.2cm Oil on canvas
  mk218 27.9x36.2cm Oil on canvas

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  INS/CM       Quality

X

  

Asher Brown Durand Notch House,White Mountains,New Hampshire oil on canvas


Notch House,White Mountains,New Hampshire
Notch House,White Mountains,New Hampshire
Painting ID::  51394
  mk218 Graphite on paper 26x36.5cm
  mk218 Graphite on paper 26x36.5cm

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand Landscape Composition oil on canvas


Landscape Composition
Landscape Composition
Painting ID::  51395
  mk218 c.1838 Oil on canvas 73.7x108cm
  mk218 c.1838 Oil on canvas 73.7x108cm

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  INS/CM       Quality

X

  

Asher Brown Durand Landscape,Sunset oil on canvas


Landscape,Sunset
Landscape,Sunset
Painting ID::  51396
  mk218 1838 Oil on canvas 25x34in
  mk218 1838 Oil on canvas 25x34in

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand Alpine View,Near Meyringen oil on canvas


Alpine View,Near Meyringen
Alpine View,Near Meyringen
Painting ID::  51398
  mk218 1842 Oil on canvas 81.3x114.3cm
  mk218 1842 Oil on canvas 81.3x114.3cm

Height    Width


  INS/CM       Quality

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     Asher Brown Durand
     1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.

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