All BACCHIACCA Oil Paintings

Italian Painter, 1494-1557 Francesco Bacchiacca (1494 - 1557) was a Italian painter of the Renaissance whose work is characteristic of the Florentine Mannerist style. Bacchiacca was born in Borgo San Lorenzo, near Florence. He was also known as Bachiacca or Bacchiacca, Francesco d'Ubertino Verdi or Francesco Ubertini. He initially was a craftsman in an atelier of possibly Pietro Perugino. In 1523, he participated with Franciabigio and Jacopo Pontormo in the decoration of the camera of Giovanni Benintendi. He mainly worked in small cabinet pieces, or designs for tapestries. Sogliani's Deposition, a theme commonly addressed by many Florentine artists, is addressed in a cartoonish form.
 

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BACCHIACCA Deposition fff oil on canvas


Deposition fff
Deposition fff
Painting ID::  4886
  c. 1518 Oil on wood, 93 x 71 cm Galleria degli Uffizi, Florence
  c. 1518 Oil on wood, 93 x 71 cm Galleria degli Uffizi, Florence

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BACCHIACCA Madonna with Child, St Elisabeth and the Infant St John the Baptist oil on canvas


Madonna with Child, St Elisabeth and the Infant St John the Baptist
Madonna with Child, St Elisabeth and the Infant St John the Baptist
Painting ID::  4887
  1530s Oil on wood, 60 x 50,5 cm Christian Museum, Esztergom
  1530s Oil on wood, 60 x 50,5 cm Christian Museum, Esztergom

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BACCHIACCA The Preaching of Saint John the Baptist (detail)  hhh oil on canvas


The Preaching of Saint John the Baptist (detail) hhh
The Preaching of Saint John the Baptist (detail) hhh
Painting ID::  4888
  c. 1520 Oil on wood Museum of Fine Arts, Budapest
  c. 1520 Oil on wood Museum of Fine Arts, Budapest

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BACCHIACCA BACICCIO gg oil on canvas


BACICCIO gg
BACICCIO gg
Painting ID::  4889
  Italian painter, born in Genoa (Giovanni Battista Gaulli) and active mainly in Rome, where he settled in 1657 and became a prot??g?? of Bernini. He achieved success as a painter of altarpieces and portraits (he painted each of the seven popes from Alexander VII to Clement XI), but is remembered mainly for his decorative work and above all for his Adoration of the Name of Jesus (1674-9) on the ceiling of the nave of the Gesu. This is one of the supreme masterpieces of illusionistic decoration, ranking alongside Pozzo's slightly later ceiling in S. Ignazio. The stucco figures that are so brilliantly combined with the painted decoration (from the ground it is not always possible to tell which is which) are the work of Bernini's pupil Antonio Raggi (1624-86).
  Italian painter, born in Genoa (Giovanni Battista Gaulli) and active mainly in Rome, where he settled in 1657 and became a prot??g?? of Bernini. He achieved success as a painter of altarpieces and portraits (he painted each of the seven popes from Alexander VII to Clement XI), but is remembered mainly for his decorative work and above all for his Adoration of the Name of Jesus (1674-9) on the ceiling of the nave of the Gesu. This is one of the supreme masterpieces of illusionistic decoration, ranking alongside Pozzo's slightly later ceiling in S. Ignazio. The stucco figures that are so brilliantly combined with the painted decoration (from the ground it is not always possible to tell which is which) are the work of Bernini's pupil Antonio Raggi (1624-86).

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BACCHIACCA Apotheosis of the Franciscan Order  ff oil on canvas


Apotheosis of the Franciscan Order ff
Apotheosis of the Franciscan Order ff
Painting ID::  4890
  1707 Fresco Basilica Santi XII Apostoli, Rome
  1707 Fresco Basilica Santi XII Apostoli, Rome

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     BACCHIACCA
     Italian Painter, 1494-1557 Francesco Bacchiacca (1494 - 1557) was a Italian painter of the Renaissance whose work is characteristic of the Florentine Mannerist style. Bacchiacca was born in Borgo San Lorenzo, near Florence. He was also known as Bachiacca or Bacchiacca, Francesco d'Ubertino Verdi or Francesco Ubertini. He initially was a craftsman in an atelier of possibly Pietro Perugino. In 1523, he participated with Franciabigio and Jacopo Pontormo in the decoration of the camera of Giovanni Benintendi. He mainly worked in small cabinet pieces, or designs for tapestries. Sogliani's Deposition, a theme commonly addressed by many Florentine artists, is addressed in a cartoonish form.

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