All BOTTICELLI, Sandro Oil Paintings

Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.
 

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BOTTICELLI, Sandro Lamentation over the Dead Christ oil on canvas


Lamentation over the Dead Christ
Lamentation over the Dead Christ
Painting ID::  44291
  c. 1495 Tempera on panel, 107 x 71 cm
  c. 1495 Tempera on panel, 107 x 71 cm

Height    Width


  INS/CM       Quality

X

  

BOTTICELLI, Sandro The Virgin and Child with Two Angels and the Young St John the Baptist oil on canvas


The Virgin and Child with Two Angels and the Young St John the Baptist
The Virgin and Child with Two Angels and the Young St John the Baptist
Painting ID::  44292
  1465-70 Tempera on panel, 85 x 62 cm
  1465-70 Tempera on panel, 85 x 62 cm

Height    Width


  INS/CM       Quality

X

  

BOTTICELLI, Sandro Madonna in Glory with Seraphim oil on canvas


Madonna in Glory with Seraphim
Madonna in Glory with Seraphim
Painting ID::  44293
  1469-70 Tempera on panel, 120 x 65 cm
  1469-70 Tempera on panel, 120 x 65 cm

Height    Width


  INS/CM       Quality

X

  

BOTTICELLI, Sandro The Virgin and Child with Four Angels and Six Saints oil on canvas


The Virgin and Child with Four Angels and Six Saints
The Virgin and Child with Four Angels and Six Saints
Painting ID::  44294
  1488 Tempera on panel, 268 x 280 cm
  1488 Tempera on panel, 268 x 280 cm

Height    Width


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X

  

BOTTICELLI, Sandro The Discovery of the Murder of Holofernes oil on canvas


The Discovery of the Murder of Holofernes
The Discovery of the Murder of Holofernes
Painting ID::  44295
  c. 1472 Tempera on wood, 31 x 25 cm
  c. 1472 Tempera on wood, 31 x 25 cm

Height    Width


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     BOTTICELLI, Sandro
     Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.

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