All BRONZINO, Agnolo Oil Paintings

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
 
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BRONZINO, Agnolo Allegory of Happiness sdf oil on canvas


Allegory of Happiness sdf
Allegory of Happiness sdf
Painting ID::  5430 		  1564 Oil on copper, 40 x 30 cm Galleria degli Uffizi, Florence
  1564 Oil on copper, 40 x 30 cm Galleria degli Uffizi, Florence

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BRONZINO, Agnolo Venus, Cupide and the Time (Allegory of Lust) fg oil on canvas


Venus, Cupide and the Time (Allegory of Lust) fg
Venus, Cupide and the Time (Allegory of Lust) fg
Painting ID::  5431 		  1540-45 Oil on wood, 147 x 117 cm National Gallery, London
  1540-45 Oil on wood, 147 x 117 cm National Gallery, London

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BRONZINO, Agnolo Venus, Cupide and the Time (detail) fdg oil on canvas


Venus, Cupide and the Time (detail) fdg
Venus, Cupide and the Time (detail) fdg
Painting ID::  5432 		  1540-45 Oil on wood National Gallery, London
  1540-45 Oil on wood National Gallery, London

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BRONZINO, Agnolo Portrait of a young man oil on canvas


Portrait of a young man
Portrait of a young man
Painting ID::  41279 		  mk161 Oil on wood
  mk161 Oil on wood

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BRONZINO, Agnolo Allegory the dear oil on canvas


Allegory the dear
Allegory the dear
Painting ID::  45630 		  mk186 around 1545 London nationally Gallery
  mk186 around 1545 London nationally Gallery

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     BRONZINO, Agnolo
     Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.

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