All BRONZINO, Agnolo Oil Paintings

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
 
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BRONZINO, Agnolo Portrait of Giovanni de Medici oil on canvas


Portrait of Giovanni de Medici
Portrait of Giovanni de Medici
Painting ID::  5400 		  c. 1549 Tempera on wood, 58 x 45,6 cm Galleria degli Uffizi, Florence
  c. 1549 Tempera on wood, 58 x 45,6 cm Galleria degli Uffizi, Florence

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BRONZINO, Agnolo Don Garcia de Medici oil on canvas


Don Garcia de Medici
Don Garcia de Medici
Painting ID::  5401 		  1550 Oil on panel Museo del Prado, Madrid
  1550 Oil on panel Museo del Prado, Madrid

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BRONZINO, Agnolo Portrait of Maria de Medici oil on canvas


Portrait of Maria de Medici
Portrait of Maria de Medici
Painting ID::  5402 		  1551 Tempera on wood, 52,5 x 38 cm Galleria degli Uffizi, Florence
  1551 Tempera on wood, 52,5 x 38 cm Galleria degli Uffizi, Florence

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BRONZINO, Agnolo Portrait of Ludovico Capponi oil on canvas


Portrait of Ludovico Capponi
Portrait of Ludovico Capponi
Painting ID::  5403 		  1551 Oil on wood, 117 x 86 cm Frick Collection, New York
  1551 Oil on wood, 117 x 86 cm Frick Collection, New York

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BRONZINO, Agnolo Portrait of Stefano IV Colonna oil on canvas


Portrait of Stefano IV Colonna
Portrait of Stefano IV Colonna
Painting ID::  5404 		  1546 Oil on panel, 125 x 95 cm Galleria Nazionale d'Arte Antica, Rome
  1546 Oil on panel, 125 x 95 cm Galleria Nazionale d'Arte Antica, Rome

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     BRONZINO, Agnolo
     Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.

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