All BRONZINO, Agnolo Oil Paintings

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
 
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BRONZINO, Agnolo Adoration of the Shepherds (detail) d oil on canvas


Adoration of the Shepherds (detail) d
Adoration of the Shepherds (detail) d
Painting ID::  5420 		  1535-40 Oil on wood Museum of Fine Arts, Budapest
  1535-40 Oil on wood Museum of Fine Arts, Budapest

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BRONZINO, Agnolo Deposition of Christ ffg oil on canvas


Deposition of Christ ffg
Deposition of Christ ffg
Painting ID::  5421 		  1545 Oil on wood, 268 x 173 cm Mus??e des Beaux-Arts, Besançon
  1545 Oil on wood, 268 x 173 cm Mus??e des Beaux-Arts, Besançon

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BRONZINO, Agnolo Deposition dfhfg oil on canvas


Deposition dfhfg
Deposition dfhfg
Painting ID::  5422 		  1565 Oil on wood, 350 x 235 cm Galleria dell'Accademia, Florence
  1565 Oil on wood, 350 x 235 cm Galleria dell'Accademia, Florence

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BRONZINO, Agnolo Holy Family fgfjj oil on canvas


Holy Family fgfjj
Holy Family fgfjj
Painting ID::  5423 		  1534-40 Oil on wood, 124,5 x 99,5 cm Kunsthistorisches Museum, Vienna
  1534-40 Oil on wood, 124,5 x 99,5 cm Kunsthistorisches Museum, Vienna

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BRONZINO, Agnolo Holy Family g oil on canvas


Holy Family g
Holy Family g
Painting ID::  5424 		  c. 1540 Oil on wood, 117 x 93 cm Galleria degli Uffizi, Florence
  c. 1540 Oil on wood, 117 x 93 cm Galleria degli Uffizi, Florence

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     BRONZINO, Agnolo
     Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.

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