All BRONZINO, Agnolo Oil Paintings

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
 
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BRONZINO, Agnolo The Panciatichi Holy Family (detail) f oil on canvas


The Panciatichi Holy Family (detail) f
The Panciatichi Holy Family (detail) f
Painting ID::  5425 		  1540 Oil on wood Galleria degli Uffizi, Florence
  1540 Oil on wood Galleria degli Uffizi, Florence

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BRONZINO, Agnolo Holy Family gfhfi oil on canvas


Holy Family gfhfi
Holy Family gfhfi
Painting ID::  5426 		  1555-60 Tempera. on wood, 117 x 99 cm Pushkin Museum, Moscow
  1555-60 Tempera. on wood, 117 x 99 cm Pushkin Museum, Moscow

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BRONZINO, Agnolo Noli me tangere fdg oil on canvas


Noli me tangere fdg
Noli me tangere fdg
Painting ID::  5427 		  1561 Oil on canvas, 291 x 195 cm Mus??e du Louvre, Paris
  1561 Oil on canvas, 291 x 195 cm Mus??e du Louvre, Paris

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BRONZINO, Agnolo Martyrdom of St Lawrence df oil on canvas


Martyrdom of St Lawrence df
Martyrdom of St Lawrence df
Painting ID::  5428 		  1569 Fresco S. Lorenzo, Florence
  1569 Fresco S. Lorenzo, Florence

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BRONZINO, Agnolo Allegorical Portrait of Dante f oil on canvas


Allegorical Portrait of Dante f
Allegorical Portrait of Dante f
Painting ID::  5429 		  c. 1530 Oil on wood, 127 x 120 cm National Gallery of Art, Washington
  c. 1530 Oil on wood, 127 x 120 cm National Gallery of Art, Washington

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     BRONZINO, Agnolo
     Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.

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