All BRONZINO, Agnolo Oil Paintings

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
 
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BRONZINO, Agnolo Portrait of a Young Girl fdtd oil on canvas


Portrait of a Young Girl fdtd
Portrait of a Young Girl fdtd
Painting ID::  5415 		  1541-45 Oil on wood, 58 x 46,5 cm Galleria degli Uffizi, Florence
  1541-45 Oil on wood, 58 x 46,5 cm Galleria degli Uffizi, Florence

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BRONZINO, Agnolo St Mark fg oil on canvas


St Mark fg
St Mark fg
Painting ID::  5416 		  c. 1525 Oil on wood Cappella Capponi, Santa Felicit??, Florence
  c. 1525 Oil on wood Cappella Capponi, Santa Felicit??, Florence

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BRONZINO, Agnolo St Matthew fd oil on canvas


St Matthew fd
St Matthew fd
Painting ID::  5417 		  c. 1525 Oil on wood Cappella Capponi, Santa Felicit??, Florence
  c. 1525 Oil on wood Cappella Capponi, Santa Felicit??, Florence

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BRONZINO, Agnolo Adoration of the Shepherds sdf oil on canvas


Adoration of the Shepherds sdf
Adoration of the Shepherds sdf
Painting ID::  5418 		  1535-40 Oil on wood, 65,3 x 46,7 cm Museum of Fine Arts, Budapest
  1535-40 Oil on wood, 65,3 x 46,7 cm Museum of Fine Arts, Budapest

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BRONZINO, Agnolo Adoration of the Shepherds (detail) f oil on canvas


Adoration of the Shepherds (detail) f
Adoration of the Shepherds (detail) f
Painting ID::  5419 		  1535-40 Oil on wood Museum of Fine Arts, Budapest
  1535-40 Oil on wood Museum of Fine Arts, Budapest

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     BRONZINO, Agnolo
     Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.

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