All Bernaert Van Orley Oil Paintings

Flemish Northern Renaissance Painter, ca.1488-1541, Painter and tapestry designer, son of Valentin van Orley. He was one of the greatest proponents of ROMANISM, a northern style based on the ideals of the Italian Renaissance. It must have been in Brussels, however, that he saw the Italian works of art that influenced him so profoundly, for it seems unlikely that he ever travelled to Italy. Brussels was then world-renowned as the centre for tapestry manufacture but was suffering from the ecliptic rise of Antwerp as the pre-eminent painting centre. The artist made the best of both situations, establishing himself as a leading designer for the Brussels tapestry industry and as a master in the Antwerp Guild of St Luke by 1517.
 
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Bernaert Van Orley Altar to SS Thomas and Matthias oil on canvas


Altar to SS Thomas and Matthias
Altar to SS Thomas and Matthias
Painting ID::  39645 		  mk150 Oak 140x180cm
  mk150 Oak 140x180cm

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Bernaert Van Orley Jonis van Zelle oil on canvas


Jonis van Zelle
Jonis van Zelle
Painting ID::  40317 		  mk156 1519 Oil on oak 39x32cm
  mk156 1519 Oil on oak 39x32cm

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Bernaert Van Orley Portrait of Charles V oil on canvas


Portrait of Charles V
Portrait of Charles V
Painting ID::  43568 		  1519-20 Oil on wood, 711,5 x 51,5 cm
  1519-20 Oil on wood, 711,5 x 51,5 cm

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Bernaert Van Orley Altarpiece of Calvary oil on canvas


Altarpiece of Calvary
Altarpiece of Calvary
Painting ID::  51048 		  c. 1534 Wood
  c. 1534 Wood

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Bernaert Van Orley Altarpiece of Calvary oil on canvas


Altarpiece of Calvary
Altarpiece of Calvary
Painting ID::  51049 		  c. 1534 Wood
  c. 1534 Wood

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     Bernaert Van Orley
     Flemish Northern Renaissance Painter, ca.1488-1541, Painter and tapestry designer, son of Valentin van Orley. He was one of the greatest proponents of ROMANISM, a northern style based on the ideals of the Italian Renaissance. It must have been in Brussels, however, that he saw the Italian works of art that influenced him so profoundly, for it seems unlikely that he ever travelled to Italy. Brussels was then world-renowned as the centre for tapestry manufacture but was suffering from the ecliptic rise of Antwerp as the pre-eminent painting centre. The artist made the best of both situations, establishing himself as a leading designer for the Brussels tapestry industry and as a master in the Antwerp Guild of St Luke by 1517.

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