All Bernardo Bellotto Oil Paintings

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.
 
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Bernardo Bellotto Capriccio with the Colosseum oil on canvas


Capriccio with the Colosseum
Capriccio with the Colosseum
Painting ID::  10327 		  1743 Oil on canvas Galleria Nazionale Parma
  1743 Oil on canvas Galleria Nazionale Parma

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Bernardo Bellotto Capriccio of Capital oil on canvas


Capriccio of Capital
Capriccio of Capital
Painting ID::  10328 		  1743 Oil on canvas Galleria Nazionale, Parma
  1743 Oil on canvas Galleria Nazionale, Parma

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Bernardo Bellotto New Market oil on canvas


New Market
New Market
Painting ID::  10329 		  Square in Dresden 1750Oil on canvas Gemaldegalerie, Dresden
  Square in Dresden 1750Oil on canvas Gemaldegalerie, Dresden

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Bernardo Bellotto Zwinger Waterway oil on canvas


Zwinger Waterway
Zwinger Waterway
Painting ID::  10330 		  1750Oil on canvas Gemaldegalerie, Dresden
  1750Oil on canvas Gemaldegalerie, Dresden

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Bernardo Bellotto The Ruins of the Old Kreuzkirche in Dresden oil on canvas


The Ruins of the Old Kreuzkirche in Dresden
The Ruins of the Old Kreuzkirche in Dresden
Painting ID::  10331 		  1765 Oil on canvas Gemaldegalerie Dresden
  1765 Oil on canvas Gemaldegalerie Dresden

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     Bernardo Bellotto
     Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.

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