All CIGNANI, Carlo Oil Paintings

Italian Baroque Era Painter, 1628-1719 Italian painter and draughtsman. He was the leading master in Bologna during the later decades of the 17th century, commanding a position of authority comparable to that of Carlo Maratti in Rome. He bore the title of Conte, and his biographer Giovan Pietro Zanotti wrote that he 'always worked for glory, not for need'. Zanotti's emphasis on Cignani's 'new manner' refers to the reflective, intimate mood of his art, presaged in the later pictures of Guido Reni and Guercino, and in those of Simone Cantarini. This gentle manner, which prevailed in the second half of the 17th century,
 
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CIGNANI, Carlo Joseph and Potiphar s Wife oil on canvas


Joseph and Potiphar s Wife
Joseph and Potiphar s Wife
Painting ID::  6024 		  1678-80 Oil on canvas, 99 x 99 cm Gemäldegalerie, Dresden
  1678-80 Oil on canvas, 99 x 99 cm Gemäldegalerie, Dresden

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CIGNANI, Carlo Joseph and Potiphar's Wife oil on canvas


Joseph and Potiphar's Wife
Joseph and Potiphar's Wife
Painting ID::  51209 		  1678-80 Oil on canvas, 9 x 99 cm
  1678-80 Oil on canvas, 9 x 99 cm

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CIGNANI, Carlo Bei Corley's portrait oil on canvas


Bei Corley's portrait
Bei Corley's portrait
Painting ID::  58376 		  mk261 Bergamo 1632 oil on canvas 108 x 78.5 cm
  mk261 Bergamo 1632 oil on canvas 108 x 78.5 cm

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     CIGNANI, Carlo
     Italian Baroque Era Painter, 1628-1719 Italian painter and draughtsman. He was the leading master in Bologna during the later decades of the 17th century, commanding a position of authority comparable to that of Carlo Maratti in Rome. He bore the title of Conte, and his biographer Giovan Pietro Zanotti wrote that he 'always worked for glory, not for need'. Zanotti's emphasis on Cignani's 'new manner' refers to the reflective, intimate mood of his art, presaged in the later pictures of Guido Reni and Guercino, and in those of Simone Cantarini. This gentle manner, which prevailed in the second half of the 17th century,

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