Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
1495
Tempera and oil on canvas transferred from wood, 136,5 x 107 cm
The Hermitage, St. Petersburg
1495
Tempera and oil on canvas transferred from wood, 136,5 x 107 cm
The Hermitage, St. Petersburg
Height Width
INS/CM Quality
X
St. Helena sdgdf
St. Helena sdgdf
Painting ID:: 6029
c. 1495
Tempera and oil on panel, 12 x 139 cm
Gallerie dell'Accademia, Venice
c. 1495
Tempera and oil on panel, 12 x 139 cm
Gallerie dell'Accademia, Venice
Height Width
INS/CM Quality
X
Madonna Enthroned with the Child dfg
Madonna Enthroned with the Child dfg
Painting ID:: 6031
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,