All Camille Pissaro Oil Paintings

1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
 
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Camille Pissaro Kitchen Garden with Trees in Flower, Pontoise oil on canvas


Kitchen Garden with Trees in Flower, Pontoise
Kitchen Garden with Trees in Flower, Pontoise
Painting ID::  4294 		  1877 Musee d'Orlay, Paris
  1877 Musee d'Orlay, Paris

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Camille Pissaro Hoarfrost oil on canvas


Hoarfrost
Hoarfrost
Painting ID::  4297 		  1873 Musee d'Orlay, Paris
  1873 Musee d'Orlay, Paris

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Camille Pissaro The Old Market Town at Rouen oil on canvas


The Old Market Town at Rouen
The Old Market Town at Rouen
Painting ID::  4303 		  1898 The Metropolitan Museum of Art, New York
  1898 The Metropolitan Museum of Art, New York

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Camille Pissaro Hyde Park, London oil on canvas


Hyde Park, London
Hyde Park, London
Painting ID::  4309 		  1890
  1890

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Camille Pissaro Kew, The Path to the Main Conservatory oil on canvas


Kew, The Path to the Main Conservatory
Kew, The Path to the Main Conservatory
Painting ID::  4313 		  1892
  1892

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     Camille Pissaro
     1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.

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