All Camille Pissaro Oil Paintings

1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
 
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Camille Pissaro Louveciennes : The Road to Versailles oil on canvas


Louveciennes : The Road to Versailles
Louveciennes : The Road to Versailles
Painting ID::  4332 		  1870 Foundation E.G.Buhrie Collection, Zurich
  1870 Foundation E.G.Buhrie Collection, Zurich

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Camille Pissaro Girl Sewing oil on canvas


Girl Sewing
Girl Sewing
Painting ID::  4333 		  1895 Art Institute of Chicago
  1895 Art Institute of Chicago

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Camille Pissaro The Railway Bridge, Pontoise oil on canvas


The Railway Bridge, Pontoise
The Railway Bridge, Pontoise
Painting ID::  4334 		  1873
  1873

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Camille Pissaro La Cote des Boeufs, The Hermitage oil on canvas


La Cote des Boeufs, The Hermitage
La Cote des Boeufs, The Hermitage
Painting ID::  4335 		  1877 National Gallery, London
  1877 National Gallery, London

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Camille Pissaro The Pork Butcher oil on canvas


The Pork Butcher
The Pork Butcher
Painting ID::  4338 		  1883 Tate Gallery, London
  1883 Tate Gallery, London

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     Camille Pissaro
     1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.

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