All Camille Pissarro Oil Paintings

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
 
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Camille Pissarro The Pond at Ennery oil on canvas


The Pond at Ennery
The Pond at Ennery
Painting ID::  72958 		  "The Pond at Ennery," oil on canvas, by the French artist Camille Pissarro. 31 3/4 in. x 36 in. x 3 7/8 in. Yale University Art Gallery, collection of Mr. & Mrs. Paul Mellon, B.A. 1929. Courtesy of Yale University, New Haven, Conn. cjr
  "The Pond at Ennery," oil on canvas, by the French artist Camille Pissarro. 31 3/4 in. x 36 in. x 3 7/8 in. Yale University Art Gallery, collection of Mr. & Mrs. Paul Mellon, B.A. 1929. Courtesy of Yale University, New Haven, Conn. cjr

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Camille Pissarro The Artist's Daughter oil on canvas


The Artist's Daughter
The Artist's Daughter
Painting ID::  72959 		  "The Artist's Daughter," oil on canvas, by the French artist Camille Pissarro. 28 5/8 in. x 23 7/16 in. Yale University Art Gallery, John Hay Whitney, B.A. 1926, M.A. (Hon.) 1956, Collection. Courtesy of Yale University, New Haven, Conn. cjr
  "The Artist's Daughter," oil on canvas, by the French artist Camille Pissarro. 28 5/8 in. x 23 7/16 in. Yale University Art Gallery, John Hay Whitney, B.A. 1926, M.A. (Hon.) 1956, Collection. Courtesy of Yale University, New Haven, Conn. cjr

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Camille Pissarro Selbstportrat oil on canvas


Selbstportrat
Selbstportrat
Painting ID::  73538 		  Date 1898 Medium Oil on canvas Dimensions 35 X 32 cm (13.78 X 12.6 in) cyf
  Date 1898 Medium Oil on canvas Dimensions 35 X 32 cm (13.78 X 12.6 in) cyf

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Camille Pissarro Vue de Saint-Ouen-l Aumone oil on canvas


Vue de Saint-Ouen-l Aumone
Vue de Saint-Ouen-l Aumone
Painting ID::  74769 		  English: "Vue de Saint-Ouen-l'Aumône (View of Saint-Ouen-l'Aumône)," oil on canvas, by the French artist Camille Pissarro. 23 in. x 31 3/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A.1908. Courtesy of Yale University, New Haven, Conn. Date 1876 cyf
  English: "Vue de Saint-Ouen-l'Aumône (View of Saint-Ouen-l'Aumône)," oil on canvas, by the French artist Camille Pissarro. 23 in. x 31 3/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A.1908. Courtesy of Yale University, New Haven, Conn. Date 1876 cyf

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Camille Pissarro Pond at Ennery oil on canvas


Pond at Ennery
Pond at Ennery
Painting ID::  74771 		  English: "The Pond at Ennery," oil on canvas, by the French artist Camille Pissarro. 31 3/4 in. x 36 in. x 3 7/8 in. Yale University Art Gallery, collection of Mr. & Mrs. Paul Mellon, B.A. 1929. Courtesy of Yale University, New Haven, Conn. Date 1874 cyf
  English: "The Pond at Ennery," oil on canvas, by the French artist Camille Pissarro. 31 3/4 in. x 36 in. x 3 7/8 in. Yale University Art Gallery, collection of Mr. & Mrs. Paul Mellon, B.A. 1929. Courtesy of Yale University, New Haven, Conn. Date 1874 cyf

Height    Width


  INS/CM       Quality

X

  
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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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