All Camille Pissarro Oil Paintings

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
 
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Camille Pissarro Church under the sun oil on canvas


Church under the sun
Church under the sun
Painting ID::  57937 		  mk259 1901 Oil on canvas years 54.5 x 65.5 cm
  mk259 1901 Oil on canvas years 54.5 x 65.5 cm

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Camille Pissarro Cloudy pier oil on canvas


Cloudy pier
Cloudy pier
Painting ID::  57938 		  mk259 1901 Oil on canvas years 60 x 81 cm
  mk259 1901 Oil on canvas years 60 x 81 cm

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Camille Pissarro Norwood, oil on canvas


Norwood,
Norwood,
Painting ID::  60075 		  Norwood, National Gallery, London
  Norwood, National Gallery, London

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Camille Pissarro The garden of Pontoise oil on canvas


The garden of Pontoise
The garden of Pontoise
Painting ID::  60076 		  The garden of Pontoise, painted 1875.
  The garden of Pontoise, painted 1875.

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Camille Pissarro San Choi Seoul Man River oil on canvas


San Choi Seoul Man River
San Choi Seoul Man River
Painting ID::  60517 		  mk259 Oil on canvas in 1864 about 24 x 32 cm
  mk259 Oil on canvas in 1864 about 24 x 32 cm

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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