All Canaletto Oil Paintings

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
 
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Canaletto reception of the french ambassador in venice oil on canvas


reception of the french ambassador in venice
reception of the french ambassador in venice
Painting ID::  56115 		  mk247 c.1740,oil on canvas,71.25x102.125 in,181x260 cm,state hermitage museum,st.petersburg,russia
  mk247 c.1740,oil on canvas,71.25x102.125 in,181x260 cm,state hermitage museum,st.petersburg,russia

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Canaletto eto college oil on canvas


eto college
eto college
Painting ID::  56511 		  mk248 denna bild av den beromda engelska skolan nara windsor malades mot slutet av canalettos vistse i storbitannien som bade inletts 1746.
  mk248 denna bild av den beromda engelska skolan nara windsor malades mot slutet av canalettos vistse i storbitannien som bade inletts 1746.

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Canaletto basino san marco venedig oil on canvas


basino san marco venedig
basino san marco venedig
Painting ID::  56512 		  mk248 den vy som manga resenerer pe sin grnd fardades for att se ocb pa duk. det var inte ovanligt att entusiastiska kopare tog bem sina canalettos innan fargen ens bunnit torka.
  mk248 den vy som manga resenerer pe sin grnd fardades for att se ocb pa duk. det var inte ovanligt att entusiastiska kopare tog bem sina canalettos innan fargen ens bunnit torka.

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Canaletto Return of the Bucentoro to the Molo on Ascension Day oil on canvas


Return of the Bucentoro to the Molo on Ascension Day
Return of the Bucentoro to the Molo on Ascension Day
Painting ID::  63066 		  1732 Oil on canvas Royal Collection, Windsor Artist: CANALETTO Painting Title: Return of the Bucentoro to the Molo on Ascension Day (detail) , 1701-1750 Painting Style: Italian , , landscape
  1732 Oil on canvas Royal Collection, Windsor Artist: CANALETTO Painting Title: Return of the Bucentoro to the Molo on Ascension Day (detail) , 1701-1750 Painting Style: Italian , , landscape

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Canaletto Venice Viewed from the San Giorgio Maggiore - Oil on canvas oil on canvas


Venice Viewed from the San Giorgio Maggiore - Oil on canvas
Venice Viewed from the San Giorgio Maggiore - Oil on canvas
Painting ID::  63067 		  77 x 97 cm St?delsches Kunstinstitut, Frankfurt Artist: CANALETTO Painting Title: Venice Viewed from the San Giorgio Maggiore , 1701-1750 Painting Style: Italian , , landscape
  77 x 97 cm St?delsches Kunstinstitut, Frankfurt Artist: CANALETTO Painting Title: Venice Viewed from the San Giorgio Maggiore , 1701-1750 Painting Style: Italian , , landscape

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     Canaletto
     Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

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