All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 

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Caravaggio Supper of Aaimasi oil on canvas


Supper of Aaimasi
Supper of Aaimasi
Painting ID::  48648
  mk191 1596-1603 oil on canvas 139x185cm
  mk191 1596-1603 oil on canvas 139x185cm

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Caravaggio Detail of  Supper of Aaimasi oil on canvas


Detail of Supper of Aaimasi
Detail of Supper of Aaimasi
Painting ID::  48649
  mk191 Oil on canvas
  mk191 Oil on canvas

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Caravaggio Leaning younger in rose bush oil on canvas


Leaning younger in rose bush
Leaning younger in rose bush
Painting ID::  48650
  mk191 Oil on canvas
  mk191 Oil on canvas

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Caravaggio The Supper at Emmaus oil on canvas


The Supper at Emmaus
The Supper at Emmaus
Painting ID::  50886
  mk216 The Italian Caravaggio was one of the great rebels of art
  mk216 The Italian Caravaggio was one of the great rebels of art

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Caravaggio Lutspelaren oil on canvas


Lutspelaren
Lutspelaren
Painting ID::  53778
  mk234 about 1596 94x120cm
  mk234 about 1596 94x120cm

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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