All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 
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Caravaggio The young Bacchus oil on canvas


The young Bacchus
The young Bacchus
Painting ID::  53779 		  mk234 1590-first century 94x85cm
  mk234 1590-first century 94x85cm

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Caravaggio Marie dod oil on canvas


Marie dod
Marie dod
Painting ID::  53780 		  mk234 1605/06 370x244cm
  mk234 1605/06 370x244cm

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Caravaggio Maltiden in Emmaus oil on canvas


Maltiden in Emmaus
Maltiden in Emmaus
Painting ID::  53781 		  mk234 1600-01 140x195cm
  mk234 1600-01 140x195cm

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Caravaggio The entombment oil on canvas


The entombment
The entombment
Painting ID::  55754 		  mk244 300x203cm Oil on canvas Rome
  mk244 300x203cm Oil on canvas Rome

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Caravaggio boy with a basket of fruit oil on canvas


boy with a basket of fruit
boy with a basket of fruit
Painting ID::  56036 		  mk247 c.1593,oil on canvas,27.5x26.375 in,70x67 cm,galleria borghese,rome,ltaly
  mk247 c.1593,oil on canvas,27.5x26.375 in,70x67 cm,galleria borghese,rome,ltaly

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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