All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 
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Caravaggio Martha and Mary Magdalene oil on canvas


Martha and Mary Magdalene
Martha and Mary Magdalene
Painting ID::  313 		  1595 Detroit Institute of Arts
  1595 Detroit Institute of Arts

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Caravaggio Narcissus oil on canvas


Narcissus
Narcissus
Painting ID::  314 		  1598-99 Galleria Nazionale de Arte Antica, Rome
  1598-99 Galleria Nazionale de Arte Antica, Rome

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Caravaggio Judith and Holofernes oil on canvas


Judith and Holofernes
Judith and Holofernes
Painting ID::  315 		  1599 Galleria Nazionale de Arte Antica, Rome
  1599 Galleria Nazionale de Arte Antica, Rome

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Caravaggio Still Life with Flowers Fruit oil on canvas


Still Life with Flowers Fruit
Still Life with Flowers Fruit
Painting ID::  316 		  1590s RomeGalleria Borghese, Rome
  1590s RomeGalleria Borghese, Rome

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Caravaggio Youth with a Flower Basket oil on canvas


Youth with a Flower Basket
Youth with a Flower Basket
Painting ID::  317 		  1595 Galleria Borghese, Rome
  1595 Galleria Borghese, Rome

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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