All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 
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Caravaggio Youth Bitten by a Green Lizard oil on canvas


Youth Bitten by a Green Lizard
Youth Bitten by a Green Lizard
Painting ID::  318 		  1592-93 Longhi Collection, Florence
  1592-93 Longhi Collection, Florence

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Caravaggio Rest During the Flight into Egypt oil on canvas


Rest During the Flight into Egypt
Rest During the Flight into Egypt
Painting ID::  319 		  1595-96 Galleria Doria Pamphili
  1595-96 Galleria Doria Pamphili

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Caravaggio The Cardsharps oil on canvas


The Cardsharps
The Cardsharps
Painting ID::  320 		  1595 Kimbell Art Museum, Fort Worth
  1595 Kimbell Art Museum, Fort Worth

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Caravaggio Medusa oil on canvas


Medusa
Medusa
Painting ID::  321 		  1590 Galleria degli Uffizi, Florence
  1590 Galleria degli Uffizi, Florence

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Caravaggio The Sacrifice of Isaac oil on canvas


The Sacrifice of Isaac
The Sacrifice of Isaac
Painting ID::  322 		  c1596 Barbara Piasecka Johnson Collection, Princeton, NJ
  c1596 Barbara Piasecka Johnson Collection, Princeton, NJ

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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