All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 

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Caravaggio Bacchus oil on canvas


Bacchus
Bacchus
Painting ID::  29938
  mk67 Oil on canvas 37 3/8x33 7/16in Uffizi,Gallery
  mk67 Oil on canvas 37 3/8x33 7/16in Uffizi,Gallery

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Caravaggio Details of Martyrdom of St.Matthew oil on canvas


Details of Martyrdom of St.Matthew
Details of Martyrdom of St.Matthew
Painting ID::  30268
  nn05 Gentle angel for a cardinal
  nn05 Gentle angel for a cardinal

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Caravaggio Martyrdom of St.Matthew oil on canvas


Martyrdom of St.Matthew
Martyrdom of St.Matthew
Painting ID::  30269
  nn05 1599-160 The theatre of cruelty
  nn05 1599-160 The theatre of cruelty

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Caravaggio Details of Martyrdom of St.Matthew oil on canvas


Details of Martyrdom of St.Matthew
Details of Martyrdom of St.Matthew
Painting ID::  30270
  nn05 Bloddthirsty murder,fear and horror
  nn05 Bloddthirsty murder,fear and horror

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Caravaggio Details of Martyrdom of St.Matthew oil on canvas


Details of Martyrdom of St.Matthew
Details of Martyrdom of St.Matthew
Painting ID::  30271
  nn05 To bear witness and die for One's beliefs
  nn05 To bear witness and die for One's beliefs

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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