All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 

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Caravaggio Details of Martyrdom of St.Matthew oil on canvas


Details of Martyrdom of St.Matthew
Details of Martyrdom of St.Matthew
Painting ID::  30272
  nn05 Bloodthirsty murder,fear and horror
  nn05 Bloodthirsty murder,fear and horror

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Caravaggio Details of Martyrdom of St.Matthew oil on canvas


Details of Martyrdom of St.Matthew
Details of Martyrdom of St.Matthew
Painting ID::  30273
  nn05 A wild and violent painter
  nn05 A wild and violent painter

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Caravaggio Medusa oil on canvas


Medusa
Medusa
Painting ID::  30333
  mk68 1598-1599 Baroque
  mk68 1598-1599 Baroque

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Caravaggio Saint Catherine oil on canvas


Saint Catherine
Saint Catherine
Painting ID::  30531
  mk68 Oil on canvas 5'8"x4'4 1/4" Madrid,Thyssen-Bornemiszxa Museum 1595-1596 Italy
  mk68 Oil on canvas 5'8"x4'4 1/4" Madrid,Thyssen-Bornemiszxa Museum 1595-1596 Italy

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Caravaggio Conversion of Saint Paul oil on canvas


Conversion of Saint Paul
Conversion of Saint Paul
Painting ID::  30537
  mk67 Oil on canvas 7'6"x5'9" Rome,Church of Santa 1600-1601 Italy
  mk67 Oil on canvas 7'6"x5'9" Rome,Church of Santa 1600-1601 Italy

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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