All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 
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Caravaggio Fruits basket oil on canvas


Fruits basket
Fruits basket
Painting ID::  45444 		  mk186 around 1597/98 Milan, Pinacoteca Ambrosiana
  mk186 around 1597/98 Milan, Pinacoteca Ambrosiana

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Caravaggio The meal in Emmaus oil on canvas


The meal in Emmaus
The meal in Emmaus
Painting ID::  45588 		  mk186, 1601 London, Natinal Gallery
  mk186, 1601 London, Natinal Gallery

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Caravaggio Jungling with fruits basket oil on canvas


Jungling with fruits basket
Jungling with fruits basket
Painting ID::  45590 		  mk186 around 1593/94 Rome, Galleria Borghese
  mk186 around 1593/94 Rome, Galleria Borghese

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Caravaggio Youthful Bacchus oil on canvas


Youthful Bacchus
Youthful Bacchus
Painting ID::  45657 		  mk186 1596/97 Florence, Uffizien
  mk186 1596/97 Florence, Uffizien

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Caravaggio Maria Magdalena oil on canvas


Maria Magdalena
Maria Magdalena
Painting ID::  45708 		  mk186 1594/95 Rome, Galleria Doria Pamphilj
  mk186 1594/95 Rome, Galleria Doria Pamphilj

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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