All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 

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Caravaggio Caravaggio oil on canvas


Caravaggio
Caravaggio
Painting ID::  90693
  1594-1596 Medium oil on canvas cjr
  1594-1596 Medium oil on canvas cjr

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Caravaggio Amor vincit omnia. oil on canvas


Amor vincit omnia.
Amor vincit omnia.
Painting ID::  91696
  c. 1602(1602) Medium oil on canvas Dimensions Height: 156 cm (61.4 in). Width: 113 cm (44.5 in). cjr
  c. 1602(1602) Medium oil on canvas Dimensions Height: 156 cm (61.4 in). Width: 113 cm (44.5 in). cjr

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Caravaggio Caravaggio Cardsharps Kimbell detail oil on canvas


Caravaggio Cardsharps Kimbell detail
Caravaggio Cardsharps Kimbell detail
Painting ID::  92062
  1594; Oil on canvas cyf
  1594; Oil on canvas cyf

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Caravaggio Die Ruhe auf der Flucht nach agypten oil on canvas


Die Ruhe auf der Flucht nach agypten
Die Ruhe auf der Flucht nach agypten
Painting ID::  92152
  1594-1596 Medium oil on canvas cjr
  1594-1596 Medium oil on canvas cjr

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Caravaggio Christus in Emmaus oil on canvas


Christus in Emmaus
Christus in Emmaus
Painting ID::  92158
  c. 1600 Medium oil on canvas cjr
  c. 1600 Medium oil on canvas cjr

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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