All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 
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Caravaggio The Annunciation oil on canvas


The Annunciation
The Annunciation
Painting ID::  328 		  1609 Mus??e des Beaux-Arts, Nancy
  1609 Mus??e des Beaux-Arts, Nancy

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Caravaggio The Nativity with Saints Francis and Lawrence oil on canvas


The Nativity with Saints Francis and Lawrence
The Nativity with Saints Francis and Lawrence
Painting ID::  329 		  1609 Formerly San Lorenzo, Palermo (lost)
  1609 Formerly San Lorenzo, Palermo (lost)

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Caravaggio The Beheading of the Baptist oil on canvas


The Beheading of the Baptist
The Beheading of the Baptist
Painting ID::  330 		  1608 St.John Museum, La Valetta
  1608 St.John Museum, La Valetta

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Caravaggio Sick Bacchus g oil on canvas


Sick Bacchus g
Sick Bacchus g
Painting ID::  5713 		  c. 1593 Oil on canvas, 67 x 53 cm Galleria Borghese, Rome
  c. 1593 Oil on canvas, 67 x 53 cm Galleria Borghese, Rome

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Caravaggio Boy Peeling a Fruit df oil on canvas


Boy Peeling a Fruit df
Boy Peeling a Fruit df
Painting ID::  5714 		  c. 1593 Oil on canvas, 75,5 x 64,4 cm Longhi Collection, Rome
  c. 1593 Oil on canvas, 75,5 x 64,4 cm Longhi Collection, Rome

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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