All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 

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Caravaggio david med goliats huvud oil on canvas


david med goliats huvud
david med goliats huvud
Painting ID::  70757
  cirka 1606 pa poppeltra 116x90.5cm se
  cirka 1606 pa poppeltra 116x90.5cm se

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Caravaggio madonnan med rosenkransen oil on canvas


madonnan med rosenkransen
madonnan med rosenkransen
Painting ID::  70758
  cirka 1606 pa duk 249x364cm se
  cirka 1606 pa duk 249x364cm se

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Caravaggio Dornenkronung Christi oil on canvas


Dornenkronung Christi
Dornenkronung Christi
Painting ID::  71716
  um 1602/1604 Oil on canvas 127 x 166 cm
  um 1602/1604 Oil on canvas 127 x 166 cm

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Caravaggio Gemalde der Contarelli oil on canvas


Gemalde der Contarelli
Gemalde der Contarelli
Painting ID::  73089
  Date 1599-1600 Medium English: Oil on canvas Deutsch: Öl auf Leinwand cyf
  Date 1599-1600 Medium English: Oil on canvas Deutsch: Öl auf Leinwand cyf

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Caravaggio Saint Jerome Writing oil on canvas


Saint Jerome Writing
Saint Jerome Writing
Painting ID::  74850
  1605-1606 Oil on canvas 112 X 157 cm (44.09 X 61.81 in) cjr
  1605-1606 Oil on canvas 112 X 157 cm (44.09 X 61.81 in) cjr

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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