All Carl Spitzweg Oil Paintings

German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.
 

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Carl Spitzweg Der Herr Pfarrer als Kakteenliebhaber oil on canvas


Der Herr Pfarrer als Kakteenliebhaber
Der Herr Pfarrer als Kakteenliebhaber
Painting ID::  90423
  1875(1875) Medium oil on canvas mounted on paperboard Dimensions 30 x 20 cm cyf
  1875(1875) Medium oil on canvas mounted on paperboard Dimensions 30 x 20 cm cyf

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Carl Spitzweg Ein Besuch oil on canvas


Ein Besuch
Ein Besuch
Painting ID::  90491
  1850(1850) Medium oil on cardboard Dimensions 22.1 x 26.7 cm (8.7 x 10.5 in) cyf
  1850(1850) Medium oil on cardboard Dimensions 22.1 x 26.7 cm (8.7 x 10.5 in) cyf

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Carl Spitzweg self-portrait oil on canvas


self-portrait
self-portrait
Painting ID::  90558
  ca. 1840/42 Medium oil on canvas Dimensions Deutsch: 45 x 42 cm cjr
  ca. 1840/42 Medium oil on canvas Dimensions Deutsch: 45 x 42 cm cjr

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Carl Spitzweg Auf der Bastei oil on canvas


Auf der Bastei
Auf der Bastei
Painting ID::  90887
  1860(1860) Medium oil on canvas Dimensions 20 x 49 cm cyf
  1860(1860) Medium oil on canvas Dimensions 20 x 49 cm cyf

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Carl Spitzweg Im terkischen Basar oil on canvas


Im terkischen Basar
Im terkischen Basar
Painting ID::  90888
  1860(1860) Medium oil on panel Dimensions 20 x 49 cm cyf
  1860(1860) Medium oil on panel Dimensions 20 x 49 cm cyf

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     Carl Spitzweg
     German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.

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