All Carl Spitzweg Oil Paintings

German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.
 

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Carl Spitzweg Streitende Einsiedler oil on canvas


Streitende Einsiedler
Streitende Einsiedler
Painting ID::  88870
  1870(1870) Medium Oil on canvas cyf
  1870(1870) Medium Oil on canvas cyf

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Carl Spitzweg Der Besuch des Landesvaters oil on canvas


Der Besuch des Landesvaters
Der Besuch des Landesvaters
Painting ID::  88903
  1870(1870) Medium Oil on paperboard Dimensions 30,7 x 23,8 cm cyf
  1870(1870) Medium Oil on paperboard Dimensions 30,7 x 23,8 cm cyf

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Carl Spitzweg Das Standchen oil on canvas


Das Standchen
Das Standchen
Painting ID::  88983
  c. 1860(1860) Medium oil on canvas Dimensions 54,5 x 32,5 cm cjr
  c. 1860(1860) Medium oil on canvas Dimensions 54,5 x 32,5 cm cjr

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Carl Spitzweg Die Flucht nach agypten oil on canvas


Die Flucht nach agypten
Die Flucht nach agypten
Painting ID::  89195
  c. 1875 / 1879 Medium oil on canvas Dimensions 52,5 x 31 cm cjr
  c. 1875 / 1879 Medium oil on canvas Dimensions 52,5 x 31 cm cjr

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Carl Spitzweg Badendes Madchen oil on canvas


Badendes Madchen
Badendes Madchen
Painting ID::  89407
  1832(1832) Medium oil on paper mounted on cardboard Dimensions 14.8 x 12.1 cm (5.8 x 4.8 in) cyf
  1832(1832) Medium oil on paper mounted on cardboard Dimensions 14.8 x 12.1 cm (5.8 x 4.8 in) cyf

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     Carl Spitzweg
     German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.

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