All Carl Spitzweg Oil Paintings

German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.
 

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Carl Spitzweg Carl Spitzweg oil on canvas


Carl Spitzweg
Carl Spitzweg
Painting ID::  95492
  Carl Spitzweg Date 1850 cyf
  Carl Spitzweg Date 1850 cyf

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Carl Spitzweg Der abgefangene Liebesbrief oil on canvas


Der abgefangene Liebesbrief
Der abgefangene Liebesbrief
Painting ID::  95493
  circa 1860(1860) Medium oil on canvas Dimensions 54.2 x 32.3 cm (21.3 x 12.7 in) cyf
  circa 1860(1860) Medium oil on canvas Dimensions 54.2 x 32.3 cm (21.3 x 12.7 in) cyf

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Carl Spitzweg Ein Besuch (Ausschnitt oil on canvas


Ein Besuch (Ausschnitt
Ein Besuch (Ausschnitt
Painting ID::  95935
  Date circa 1850(1850) Medium oil on cardboard Dimensions 22.1 x 26.7 cm (8.7 x 10.5 in) TTD
  Date circa 1850(1850) Medium oil on cardboard Dimensions 22.1 x 26.7 cm (8.7 x 10.5 in) TTD

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Carl Spitzweg Old tavern near lake Starnberger See oil on canvas


Old tavern near lake Starnberger See
Old tavern near lake Starnberger See
Painting ID::  96421
  1865(1865) Medium oil on canvas cyf
  1865(1865) Medium oil on canvas cyf

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Carl Spitzweg Susanna im Bade oil on canvas


Susanna im Bade
Susanna im Bade
Painting ID::  96693
  oil on panel Dimensions 19,8 x 23,3 cm cyf
  oil on panel Dimensions 19,8 x 23,3 cm cyf

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     Carl Spitzweg
     German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.

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